Recent Posts

Pages: [1] 2 3 ... 10
1
Any club can make any rules for informal matches. 

From the NMLRA rule book:

5610–OFFHAND POSITION
Standing on both feet, with no other portion of the body
touching the ground or any other supporting surface. The rifle
will be supported by both hands and one shoulder only. The
rifle must lie in the palm of the forward hand.

Since it must be shot with the palm on the stock a glove is a no-no?  Also not allowed are finger tips or a fist as used in other disciplines. 

Also of interest:
2350–SHOOTING JACKETS
Shooting jackets up to and including a large- or small-bore
jacket of standard weight will be allowed in all matches except
musket matches or as otherwise stated for a particular match.
Leather or international cinch type jackets are not allowed.

As to the elbow issue, it says nothing about your elbow may not touch your torso.  I'd have a very serious problem with someone that tried to enforce something so ridiculous a real match.   And for most us us the elbow does not touch anyway, the back of the upper arm does.  The point is mute.  Holding the forend way out is bad form and will hurt your accuracy.  You want structural support from bones, not muscles. 

My club shoots NMLRA aggregates.  Nobody uses jackets or gloves.  If legal that may explain why I struggle with the ML and not with service rifle. With my jacket and glove I's probably add 10% to my ML scores. 

2
The flintlock by Johnson is dated 1844 and in excellent condition.  The percussion pistol by Ashton is dated 1850 and in very good condition.  $3,250 for the Model 1836 and $800 (plus shipping) for the Model 1842.  Buy both for $4,000.







3
Contemporary Accoutrements / Tater peelers
« Last post by B.Barker on Today at 05:58:41 AM »
I've been making these things since August now. I usually can't make more than two at a time. For some reason these seem to be more therapeutic right now than other projects. 









4
FOR SALE:  Curly Maple Blank #219, Vividly striped & hard.  This is one that every
time I walk in the shop, I see it & say to myself "Wow, look at those stripes". Just
something about it grabs me. No finish, no nothing, they are just There. Just imagine
what a good stain & finish will do. 64" long x 2 1/2" wide, x 7 1/2 across the butt.
You want a head turner ? this is one for sure. 

Price is $ 325.00 Plus Shipping. CONUS.  Payment by Personal Check or US Postal
Money order. 










5
Antique Gun Collecting / Re: Rifle id help.
« Last post by Shreckmeister on Today at 05:01:03 AM »
The horse head finial and forward lock mortise shape are common to him as well
6
The gun has a butt plate, thus is shot off the shoulder, not the butt.
7
Black Powder Shooting / Re: Straight rifling
« Last post by Daryl on Today at 04:10:52 AM »
My 13 bore straight rifled barrel shot fairly well to 38yards with 85gr. 2F and a .682" round ball with 12 ounce denim patch.(.030") 6 shot group was 2 1/2".
8
Gun Building / Re: Violin Making: As It Was and Is
« Last post by Daryl on Today at 04:06:21 AM »
drPhil how about some pictures of your Woodsrunner?
9
Gun Building / Re: Violin Making: As It Was and Is
« Last post by okawbow on Today at 04:04:07 AM »


Do you use a spirit varnish (shellac, sandarac etc) like a French polish or an oil varnish? Gorgerous either way. I thought about using rottenstone to smooth up my woodrunner but then decided the woodrunner isn't a hand rubbed finish gun. Its nice but not "too nice"


I use several coats of fresh mixed shellac and sometimes alcohol soluble resins over a propolis wash as a ground. The top coats are colored oil varnish. I use a similar system on flintlocks but normally stain the wood first.
10
Gun Building / Re: Violin Making: As It Was and Is
« Last post by wvcruffler on Today at 02:29:15 AM »
I’ve made quite a few violins and believe most of the sound that comes from Stradavari violins is due to them being over 300 years old and having been worked on and fine tuned by the best luthiers in the world. Most don’t retain the original varnish. Most have been modified and rebuilt several times. In blind sound tests; few people can tell the difference between the Stads and a really good modern made violin. Here’s one I finished this year, made from materials I harvested myself. ( except for the ebony) I use the same ground mixture and varnish on my flintlocks. Here’s one I finished this year.




Do you use a spirit varnish (shellac, sandarac etc) like a French polish or an oil varnish? Gorgerous either way. I thought about using rottenstone to smooth up my woodrunner but then decided the woodrunner isn't a hand rubbed finish gun. Its nice but not "too nice"
Pages: [1] 2 3 ... 10