I find it's a long road of buying things we thought were the answer to all of our problems, only to find out a new set of problems are introduced.
I can't tell you the pile of mistaken stuff I've accumulated over the years, only to be sloughed off like a snakeskin onto the nearest unsuspecting newbie. (just kidding, I have a huge pile of junk I'd never foist on an unsuspecting neophyte)
We must all learn by our mistakes, and we also learn by making the best of our mistakes. I think this is an important ingredient of a successful builder. How do you handle yourself when faced with a dilemma? Figure out a way to make it work, or smash it all up and pout?
There are times when either response is correct, but it takes years and many wrong choices to know the difference. (I aint there yet)
Did I tell you? Ian Pratt and I are hosting a talk at Dixon's this coming July? (The Art of the Longrifle, or, Saturday Morning Cartoons. We have not settled on the title yet)
The gun is a creative process, with a lot of latitude in many areas, but very little in others. When you look through the gun books, RCA and others, you can see all the mistakes have already been made, so you can take a deep breath and forge ahead. Again, it's not about NOT making mistakes, it about how you deal with them once they're made. We live in an imperfect world, and so, too, should your guns mirror life.
I speak about what I like in a gun. I like life in a gun, I like creativity, but within historical context. I want a gun to sing to me. To knock me out like a beautiful woman. This is an elusive quality to capture. Everyone has their own reasons to build.
Try to keep your building in a long term perspective. One gun is not enough to get your skills and tools up to speed. You need to make many before it becomes a natural self expression. There are exceptions to the looong road of gun building, but for most of us poor slobs, there is no way around but to knuckle down and put our time (and money) in.
I think I may have said too much. Or not enough.
Tom