Nothing personal to anyone but that does not look much like a period lock. It kind of looks like a Chambers ketland with an abbreviated tail section and a modified deluxe siler cock on it. And a somewhat lumpy one at that (at least going by the picture on the website).
My YUGE issue with most commercial locks is that people put all this valuable time into designing them for production but they never really look like old locks. I don't get it. Great function is great, that's half the battle and of course exceptionally important. The other half should be design to match antiques.
Flame away.
Production expedients are the rule.Get it done and out the door,fast.I used to get almost constant requests for new mainsprings for production locks that failed with catastrophic results such as the lock mortise being knocked out.I had my hands full and could not be
of help.The lock shown this morning that was used for the Clark lock is a beautiful lock and I used the L&R version,Durs Egg on a lot
of new locks.The chances of me reviving lock making is very low but I have never been a major maker of any style of locks.Little loss
there.
Bob Roller
I do not believe that profits or your term “expedence” are driving factors for either LC or Liston Rice. Both are retired and don’t really need the little financial gains from making high quality products. They, like many of us are driven by their passion for producing the best product available.
Bob, we all know that you’re not making locks anymore. We get reminded of this very regularly.
Eric, I see and understand your point! One must however remember that our sport also involves the Contemporary side of gun making. There are a bunch of really great flintlock rifles being made these days that bear no major resemblance to the work being done in the 18th and 19th centuries.
Let us please be fair with these locks and let the quality speak.
W