Kutter,
So the results of a potasium nitrate treatment as you described are different than the temper blue shown by Acer? Based on your description I would expect this. Temper blues such as shown form around 600F.
A different color, different look. Since it's done in the absence of any free oxygen in the atmosphere, the buildup of the color is different. Nitre will get you colors all up and down the spectrum same as using a torch or any other heat source. It's that protection from the atmosphere that makes the difference in the depth of the color and look and even the thickness of the coating,,though all of these are fragile.
You can get the same 'spring temper blue' down at the 650 range with either process, but the nitre will be of a different look.
Charcoal blue, Carbonia blue (two different processes), nitre coloring,,all have that in common. No oxygen from the atmosphere is in contact with the parts.
Flame bluing/torch bluing can somewhat mimick the look especially on smaller parts, but is not the same thing.
FWIW the 'carbonia' in carbonia bluing was the propietary oil used in the process. Mixed with the char in the rotating gas ovens from American Gas Co., they really changed the way firearms finishing was done early in the 20th century.
Some mfg'rs used other oils on small parts and accessorys to save money. Linseed was used by Winchester on pins, screws, washers, even swivels. They stopped using the ovens in about 1938 and switched to Du-Lite hot salt chemical bluing as did just about everyone else. S&W hung on to it longer than most though.
Charcoal bluing often made use of (sperm) whale oil.
When we started fumbling with charcoal and furnace blueing in the early 90's, we asked Mobile chem lab people for a sub for 'carbonia oil',,if they even knew what it was. They did and there was one. They supplied a modern replacement and it worked fine. It just takes a while and a lot of experimentation to get your procedures right. Just like case coloring.
IIRC, the sub was a special heavy duty gear lube of some sort. Black as tar and thick as molassis.
If there's any one thing that needs to be done to bring out the full color and depth of these finishes, it's a high polish, w/o ripples or uneven edges.