I keep seeing this come up in discussions...
There are a couple of topics on lock tuning or discussions of a specific lock but not in a specific way...
http://americanlongrifles.org/forum/index.php?action=search2When looking at a good lock what mechanical principles differentiate the good locks from the...well shoddy stuff. Yes, being historically correct to the time period means that early locks were very simple and later locks could be extremely complex... but, what are the principles that all good locks share to make a flint or percussion lock function properly. Even a simple lock without a bridle over the tumbler and parts pinned in place from say the 1690s can be well built and a 1830s one with links and rollers can be a pile of slop...
Some thoughts on what makes a good lock:
All surfaces mate well, everything fits
All wearing components heat treated and polished
Bearings for parts such as the tumbler and sear
Appropriate strength springs
Bridle is strong enough to resist forces enacted upon it by the rotation of the parts and springs.
Main Spring geometry
Tumbler geometry... use of link to mainspring appropriate
Use of rollers on mainspring, frizzen/frizzen spring etc
Lock geometry
Rotating parts generate appropriate momentum and do not hinder each other or transit beyond the area of the lock (such as a mainspring with link that pop out of the bottom of the plate)
Flint
Angle of the jaws hold the flint appropriately to strike the frizzen in a motion that shaves steel i.e. not bashing the flint.
Frizzen geometry holds the frizzen to keep the pan covered and directs sparks to the middle of the pan
Frizzen bounce back
Percussion
Head strikes the nipple square on
What other ideas do you have...