Author Topic: Creativity and Historical Correctness in gun building  (Read 47599 times)

Offline aaronc

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Re: Creativity and Historical Correctness in gun building
« Reply #100 on: April 14, 2014, 08:32:08 PM »
 I would never spend my time trying to reproduce any one's work simply because it sounds like a lot less fun than trying to get what is in my own imagination into my own two hands. Also I think it would be EXTREMELY sad and a loss to all involved if we restricted the uber talented builders of today and in the future to copying works that have already been done. That being said I think there is room for both points of view as I'm sure much is learned about the originals from the folks who strive to reproduce every detail. I believe it is the people of a likewise mindset who painfully document the history, builders, and original firearms themselves which I love to read about and believe is so important.

To the issue of adding "age" to a piece.  I do disagree that it is a fad as I don't think it will ever "go out of style". There will always be a great number of people who like a distressed look. I honestly don't know that I have a preference and I am certain  both "aged" and "new" will find their way into my armory. When I look at a piece I either like it or I don't. Correctness of one kind or another really doesn't creep in to the thought process for me. Craftsmanship, design, wood to metal fit and finish, quality components,...etc,...etc,...is what forms my affinity for a given item.   

   All of this is coming from someone who has yet to start his journey on rifle building and has completed only 1 horn so my $0.02 probably doesn't amount to much but these are my thoughts on the subject.

    -Aaron   


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Offline Dphariss

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Re: Creativity and Historical Correctness in gun building
« Reply #101 on: April 14, 2014, 10:41:51 PM »
I have a rifle here that is 30 years old been hunted with, been out in the snow. It has no "warm used look". It still looks pretty darned new actually, it DOES have some dents.
But warm and worn? Not so much.

I know other rifles with more use that really don't look that worn, unless the OWNER aged them. So this is, unless the owner does not take proper care of his firearms, by and large la-la land stuff that results in a gun that looks like its 100 or more years old when they would really be 1 or 3 or 5 or 10 if the user is using a 1770s period rifle and pretending to be in the 1770s for example.  But it looks cool and thats all that matters I guess.
Does anyone here REALLY believe the Haymaker rifle looked as it does today when it owner was killed in Kentucky? The rifle was used for a long time AFTER it was brought back could easily have seen combat in the the Revolution. Then was surely knocked around in storage and/or played with by kids (the lock possibly removed so they could not fire it and was lost or disposed of).
But its more fun to make up stories.
If people want it fine, who really cares. Its the delusional thinking that irks me.

Dan
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Offline Acer Saccharum

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Re: Creativity and Historical Correctness in gun building
« Reply #102 on: April 15, 2014, 12:26:43 AM »
Quote
Its the delusional thinking that irks me.

Dan

Dan, it's your insistence on my 'delusional thinking' that I find offensive.

I have no illusions when I'm making my gun art. You don't have to like what I make, you don't have to agree with my vision, but I ask you to respect my position, just as I respect yours.
« Last Edit: April 15, 2014, 12:27:07 AM by Acer Saccharum »
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Offline Dphariss

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Re: Creativity and Historical Correctness in gun building
« Reply #103 on: April 15, 2014, 03:54:58 AM »
Quote
Its the delusional thinking that irks me.

Dan

Dan, it's your insistence on my 'delusional thinking' that I find offensive.

I have no illusions when I'm making my gun art. You don't have to like what I make, you don't have to agree with my vision, but I ask you to respect my position, just as I respect yours.

Look. I do not remember mentioning your name.  If I want to tell someone something I know how to do it and there will be no doubt.

What else is it when people try to recreate an era with a gun that looks like it would 100 or 200 years AFTER that era? Its not necessarily the MAKER, its the end USER that demonstrates a lack of understanding.
What is the word then? Ignorance?
Everyone wants to pretend things, they want to look the look but have no stomach to walk the walk. That is actual work afterall. They think that the way a gun looks NOW is how it looked when it was new of 3-10 years old. ITS DELUSIONAL to think this. I don't know another name, fantasy maybe, its certainly not real. YOU surely know this or certainly should.  Rifles were VERY expensive and people did not willingly abuse them. A man could work a year or more for the price. And near as I can tell they used GUN COVERS.
The problem with this site is that its IMPOSSIBLE to make a point and explain a position or an idea outside the eastern clique's approved way of thinking or doing things without someone with a vested interest getting their panties wadded. Even if its based on written documentation from the PEOPLE originally involved. This is not proof since THEY are selling something else that is not compatible with the historical record. So the historical record is wrong??? I don't see it that way.
So while faking guns and powder horns and who knows what else and SELLING THEM as real is apparently OK or at least ignored, and don't bother telling me nobody here does it I have seen the proof on gun broker, but saying "this gun does not fit the era because its been over aged" "offends" people?
If this offends you then perhaps YOU have a problem. There are other people that see it as truth as well. But most won't even post here because they see it as a bunch of wannabes who OBVIOUSLY do not, for the most part, actually USE the guns. This is obvious from the POSTS.  So these people who in some cases have an immense knowledge of actually using a FL in REMOTE areas for WEEKS or MONTHS on end hunting and other work like horse packing won't bother seeing it as a waste of time since some keyboard expert will take offense. People here who apparently hunt in ground blinds and tree stands in some 40 acre wood lot try to lecture me on how to take care of my rifle and equipment where I live where some years I cover 50+ miles  ON FOOT and hundreds in the pickup (100 miles in a day is not unusual and I may not get out of the county)  while deer hunting. Ever knee walk through 12-18" of snow for 100 yards or so trying to stay low enough the game can't see you and keep the FL "dry".
I have actually carried MLs horse back and even had a pretty good horse wreak in a BEAVER POND and been bucked off as well. The gun may well stay in a "loop" even if the rider "gets off" BTW. Not good if the horse is not caught. Many people in the AMM do similar things as well.
I trapped Beaver all one year with no waterproof boots just to get an idea of what it was like. I paid for all the bills for my first child with BEAVER. While I live in the west, an area the CLA for example loves to ignore so I did not renew this year, I HAVE done things. I don't make guns then age them so they do not really look like used guns but people will THINK they do.
I make stuff in my own limited way and often use them if they are not sold. I have killed deer and antelope with ML pistols at tree stand ranges without the tree stand. Lots of stuff. But if I say aging is not done properly or that its wannabeism (its like some jerk arriving at a SF convention with a shirt with patches sewn on upside down) I am some sort of jerk even though its true and irrefutable. I have shot and built ML rifles since the late 1960s. I have opinions based on that. I generally keep the "worst" of it to myself. But sometimes things have to be said if this place is going to be anything but a bunch of people enthusiastically patting each other on the back for doing work that rates from outstanding by any standard to little more than malformed junk. But I don't tell people its malformed junk because its not polite. Besides someone on the "blog" would be "offended".
I try to help people. I try to post valid information on ballistics, powder charges and effectiveness. I try to post valid research. Some of these things may not suit everyone here. People that never hunt or shoot don't need ballistics and such. Some research and experiences may gore sacred cows, I cannot help that. And I learn a lot here but if I cannot voice a VALID opinion on subject then this site is not what it should be. If someone REALLY wants to accurately re-enact some period like 1777 is it OK for him to pack around a gun that dates 1775-1780 that looks like it has 200 years of use and abuse? Or should someone make it know that excessively aged guns would be out of place in the context of time. He would be more accurate with a rifle with just a little wear that was broken through the wrist and then repaired.  But people can't say "it's excessively aged" because someone promotes and sells excessively aged guns? So the re-enactor looks foolish in costume to anyone who understands how guns actually wear in USE over a limited time frame.  Now if the rifle (or two or three) is lost in a creek for 3-4 days it may look really bad when its recovered, or so I was told by someone who saw such a thing back in the 60s.

Some people here would go apoplectic if they were to sit in with a master gunmaker I know when he views one of the picture CDs the CLA sells on a big screen TV. He has a marvelous eye for line and a photographic memory of rifles he has handled over the decades and can pick out a error in my shaping as soon as I get in his door. But he would be very unpopular if he had a computer and posted here.
If Dickert, Beck, Armstrong or Hawk did not make aged guns why should I? I don't and will not. Why should someone WANT one? Its not real. But its "cool". Or maybe "far out solid and power to the people".
I used to do work for people that paid a lot of money for my work at retail. But they were not "re-enactors" they were shooters and collectors. Had I aged a gun, beat up the stock and screwed up the metal the guy that paid me and the guy that placed the order would have had a fit and there would be "issues". They had to be perfect. I worked in the real world and still do. I spent too much time making things that nobody could find fault with, spending a lot of time looking at old guns to refine the lines etc etc. Make a rifle then butcher up my work because someone with a substitute reality thinks its "cool"? I just cannot do it.
The only rifles I ever aged were the ones I did for "Quigley" and this was expanded on after they left the plant. I made them look like a rifle would look after a little use. Since I had used a number of them when new, but this was not enough to the Hollywood make believe director and/or the camera.

Dan
He who dares not offend cannot be honest. Thomas Paine

Offline rich pierce

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Re: Creativity and Historical Correctness in gun building
« Reply #104 on: April 15, 2014, 05:04:23 AM »
When we talk about what is real and what is not in the creation and use of the longrifle, it extends beyond "aging" of the material goods.  It is play-time to me when people create scenarios that you deem as "real".  I cannot see how your scenarios are more real.  They are just as made up as everyone else's.  It's a choice to hunt with a flintlock in "real" wilderness, like playing a game trying to prove you are tougher than everyone else.  It's play-acting "mountain man", nothing else.  It's not impressive to everyone, and that doesn't seem to be OK with you. The whole breast-beating, "Whaaaah!  I am a REAL mountain man!  No pig farmer here!" is so 1970s Buckskin Report.  Lots has happened since then.  The work and art has progressed a lot.  Shinin times, but cheesy in retrospect to many of us.

I've got news.  It's all play time.  None of us are in the 18th century.  We, to varying degrees and in selective areas, create sets that in our minds, have great appeal.  It's completely selective.  You're happy to electric or torch weld and use a modern lathe while bawling about being "real" because of the way you hunt.  Others choose different areas in which to emulate our forefathers.  But most of us aren't screaming and ranting that we have THE answer and everybody that doesn't follow our groove is a poseur.

BTW, when you rant about how aging is a form of deceit, did you ever respond to why you think it's OK to use a lock engraved "Manton" on one of your guns?  It seems to take a lot of steam out of your argument that you have the high ground.
« Last Edit: April 15, 2014, 05:05:31 AM by rich pierce »
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Offline KLMoors

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Re: Creativity and Historical Correctness in gun building
« Reply #105 on: April 15, 2014, 05:38:42 AM »
I've got a question about this aging thing. Maybe I am missing your point Dan, but I think you are saying that a 5 or 10 year old gun actually looked pretty good after its active use, and the nasty pitting and damage that we so commonly see on them now occurred after it's active life was over and it had been "retired".

If that is true, then why are the breech ends of the barrels on these guns so much more badly pitted than the rest of the barrel. If most of the damage we see on these antiques occurred AFTER the gun had been retired (put away while still looking pretty good, according to your theory) then the pitting should be even along the barrel. Clearly that is not the case on lots of originals. The only explanation for this that fits your theory is that the gun was in good shape up till its last active day, and then never cleaned and oiled after its last shot was fired. This is hard to square with the idea that they were as well cared for as you say while in active use. A guy who religiously kept his gun in top shape, then all of a sudden decided to put it up the last time without a thorough cleaning? That might explain the breech area being so beat up, but it makes no sense.

Logically, I can only conclude that much of that pitting around the lock/breech area, evident wear  and dings at the wrists, butt plates, and forearms, must have occurred while the gun was being fired and handled regularly. Did some additional damage occur after the gun had been retired? Absolutely so, but I can see no other explanation for the unequal distribution of damage/wear on these guns if most of it happened after they had been put away and were no longer being carried and fired. That just doesn't make any sense to me.  If this damage happened while they sat in a corner or a closet, the damage/ravages of decades of no care, would be pretty consistent along the entire gun.   Those breeches MUST have been rusted and pitted by the corrosive effects of burned powder WHILE the gun was being actively used. There is no other logical explanation.

Why would the screws on so many originals be all boogered up if that only happened after the gun was retired? Folks took them in and out for fun after they had started using a different gun?

Yes, you, and many others, go out and use these guns for hundreds of hours outside under very harsh conditions. But, then you go home, clean it, oil it, and keep it in your climate controlled home until it is used again. That is just a tad different life than many of the guns used in the time period we are discussing lived.

Offline Acer Saccharum

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Re: Creativity and Historical Correctness in gun building
« Reply #106 on: April 15, 2014, 05:50:28 AM »
No, Dan, I'm not trying to egg you on, I just said that I was offended by the 'delusional' term. I know you didn't mean me personally, but I age guns, others age guns, so I am in the same basket as all the other gun agers. I also appreciate that you help a lot of folks here, don't get me wrong, there ain't enough of that to go around.
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Vomitus

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Re: Creativity and Historical Correctness in gun building
« Reply #107 on: April 15, 2014, 08:42:56 AM »
  ;D  I age guns  ;D
« Last Edit: April 15, 2014, 08:43:39 AM by Leatherbelly »

DaveP (UK)

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Re: Creativity and Historical Correctness in gun building
« Reply #108 on: April 15, 2014, 12:42:08 PM »
I find myself curious about peoples expectations. If a man bought a new gun in the late 18th century, for how long would he expect it to last him?
I realise that this may just reflect modern attitudes, but were there any journal entries along the lines of "bought a new gun - that's me sorted for a couple of years / the lad will be glad of it one day..."

If you look around today, there are people who take no care for their tools and equipment and others for whom no job is complete until everything has been cleaned and stowed in its place. This obviously affects the appearance of their kit, and quite quickly.
I suspect things have always been this way, so that if you went in to a settlement and mustered every man with a gun you would see quite a range of conditions.

I'm not really fond of "the brand new look" myself. I just like the softer sheen and slight wear on corners that suggest that something has been used and cared for and I see nothing wrong with making things that way, whether its a gun or a chair. Its nothing more than a matured finish, when all's said and done.
Going much beyond that seems a strange thing to do, although I can admire the skill and effort sometimes invested in a serious forgery!  ;D

Offline Robert Wolfe

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Re: Creativity and Historical Correctness in gun building
« Reply #109 on: April 15, 2014, 04:00:53 PM »
Wow, this topic has more fire in it that a discussion of "canoe" guns! As for me, I like the look of a well done "aged" gun. I don't reenact so the point some people make that "it's not historically correct" doesn't hold water for me. It is just part of an aesthetic that appeals to me. Now, when it's poorly done with a heavy hand I'm not a fan just as I'm not a fan of a poorly built gun.
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Offline Acer Saccharum

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Re: Creativity and Historical Correctness in gun building
« Reply #110 on: April 15, 2014, 06:35:42 PM »
Suppose I have an 18th Century house I've restored to look like it's got 200 years of wear and tear. Soft edges on the door openings, floors worn to a soft warm color. I won't put a brand new looking gun over the fireplace. Rather, I'd want a gun with a worn and lovingly cared for look. Maybe there are repairs, some wood loss along the barrel channel. The wood and metal show wear and polish from years of handling, developing color and tone all on their own.

Is this wrong?
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Offline tallbear

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Re: Creativity and Historical Correctness in gun building
« Reply #111 on: April 15, 2014, 06:53:14 PM »
Quote
Is this wrong?


No ones opinion is wrong even Dan's , everyone is entitled to make and enjoy what they like.What is wrong is labeling people with derogatory labels(frauds, fakers ,posers ,delusional ,wanna bees)because they make or admire aged guns or you disagree with them.

As for the notion that gunmakers west of the Mississippi don't get their just due all I can say is quality is always recognized.Many makers west of the Mississippi(Jud Brennan,Jack Brooks,Mike Brooks,Jerry Huddleston,Dave Rase ,Ron Scott, D. Taylor Sapergia to name just a few )seem to have no problem getting their work recognized.
« Last Edit: April 15, 2014, 07:49:48 PM by aka tallbear »

Joe S

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Re: Creativity and Historical Correctness in gun building
« Reply #112 on: April 16, 2014, 04:21:12 AM »
If we consider ourselves to be gun builders, then perhaps we should make only new guns.  After all, no manufacturer in their right mind makes used products.  But if we consider ourselves to be artists, then the only real limit is our own personal muse.  Then, as artists, we can critique our work.  Is it well done?  Is it convincing?  Does the artificial ageing contribute to the artwork, or does it detract from it?

Personally, I like new guns, I like used guns and I like antiques.  I particularly like Kettenburg's fakes, as he likes to call them.  Those guns are high art, in my opinion.  But like all high art, it's not easy to do.

The observation I have on the ageing of guns as I see it on this site, is that most of the ageing doesn't look natural to me.   Most of the aged guns are about as convincing as the “aged” brass lights you can find in any furniture store.

If you really want your gun to have a convincing all natural 5 to 10 year old look, just lend it to me for a hunting season.  For some reason, guns and women seem to age rapidly in my hands.  I can make you a fine antique finish too, it just takes another year or so.

Offline Stophel

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Re: Creativity and Historical Correctness in gun building
« Reply #113 on: April 16, 2014, 04:38:01 AM »
I tend to like to do a "slightly used" finish, which everyone else seems to like, and which the gun would naturally end up with fairly quickly anyway.  I like to do them this way mostly because I'm clumsy, and I find it VERY difficult to make a gun really look brand new!   :D
When a reenactor says "They didn't write everything down"   what that really means is: "I'm too lazy to look for documentation."

Offline Artificer

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Re: Creativity and Historical Correctness in gun building
« Reply #114 on: April 16, 2014, 08:21:46 PM »
I find myself curious about peoples expectations. If a man bought a new gun in the late 18th century, for how long would he expect it to last him?
I realise that this may just reflect modern attitudes, but were there any journal entries along the lines of "bought a new gun - that's me sorted for a couple of years / the lad will be glad of it one day..."

If you look around today, there are people who take no care for their tools and equipment and others for whom no job is complete until everything has been cleaned and stowed in its place. This obviously affects the appearance of their kit, and quite quickly.
I suspect things have always been this way, so that if you went in to a settlement and mustered every man with a gun you would see quite a range of conditions.


There is the old joke about the guy who proudly shows off his family heirloom  and proclaims, "THIS is the gun my Great Greats Grand Daddy carried during the Revolution.  Sure it has had one new lock, two new barrels and three new stocks BUT it is the same gun......"

How long a gun lasted was entirely up to how hard it was used and/or abused.  Frontier guns got used and sometimes abused a lot more than guns in the more settled regions.  Yet, it is not uncommon to find Longrifles that were originally flintlock and later converted to percussion.  So a Longrifle could have been used for decades. 

In one of my "UnCivil War" era books, there is Virginia Longrifle that was somewhat crudely "percussioned" and used in "The Third War of the American Revolution" after it had been used originally in "The First War of the American Revolution" by an ancestor in that family.  (The "War of 1812" is a more modern term and was often called "The Second War of the American Revolution" at the time - so the UnCivil War during the period was sometimes called ""The Third War of the American Revolution")  I am going to have to go through my books and see what book it is in and hope it wasn't in a pile of books I loaned and did not get back. 

In the 18th century, the British Army figured the service life of a Musket was 10- 12 years.  This from Bailey and some original sources.  If one looks at how "The King's Firelock" was expected to be kept according to Cuthbertson, perhaps a good deal of that wear came from the daily cleaning and polishing regimen.

Original accounts of 18th century Virginia Militia tell us that some members were fined for not only not having the minimum required arms and equipment, but also some Militia Members were fined for not keeping their arms "in good order" or what we might call properly cleaned and oiled.  I doubt they meant as well kept as the British Army, but I do wonder what was considered "acceptable" as there doesn't seem to have been written instructions or regulations to go by.  Hence, it was left up to the Officers at the Musters. 

Some militia members were fined for having cobwebs or even mud daubers nests in their barrels.  However, the one I find the funniest was the Militia Member fined for having corn in his barrel.  Was this parched corn the Militiaman intended as a meal or meals during the muster?  Perhaps the Miltiaman's child or children "loaded" the gun with corn to play some time before the muster and he did not realize it.  How did the Inspecting Officer or NCO figure out there was corn in the barrel?  Was it FULL of corn or did corn fall out when the barrel was pointed muzzle down?  I can visualize a period Sergeant doing the inspection and finding the corn in the barrel and commenting something like, "Jones, is that your LUNCH in the barrel of your firelock?!!"  or "Smith, are you trying a new way to parch (or pop) corn by firing it in your firelock?!!"  Perhaps the militiaman was the 18th century equivalent of Gomer Pyle or just a victim of circumstance?  At least it seems they did not record the Militiaman's name and thus his many times Great Grandchildren don't have to be embarrassed about it. 

Now most likely the ones fined for such things were not those whose lives depended on their firelocks.  It seems like the ones fined were probably townsfolk who rarely shot their firelocks, particularly the firelocks with wasp nests in them.  GRIN.
Gus

galamb

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Re: Creativity and Historical Correctness in gun building
« Reply #115 on: April 16, 2014, 09:55:47 PM »
I have read through numerous journal entries from the shop of John and Caleb Vincent.

If their shop was "typical" of many gunsmiths it appears they "restocked" about three rifles for each one that they "built new".

In fact, there is no evidence that John Vincent did anything but "repair" rifles from about 1860 until his death in  1882. And while there is no specific notes I also wonder how many flint rifles they converted to percussion (??) because the owner saw that as an "upgrade" to their "old rifle" - no different than the way that CF shooters adopted scopes over open sights when it became affordable/available to the average hunter.

That may give some insight into how rifles were treated/regarded.

They were most probably looked at like many of us see our vehicles. While some have to have a new one every couple of years many probably keep it running until it's ready for the junk yard, totally beyond repair.

So a restock may have been the way we would consider putting on a new set of tires, or replacing the transmission to "keep her running" for a few more years.

And it's certainly likely, that the best examples today of original rifles WERE the ones that were bought, used "rarely" and lived over the mantle or in a corner behind a door just in case "some varmint" got into the back field and needed to be discouraged.

I prefer a "new looking" rifle. It will age on it's own and develop it's own "battle scars" as I use it. But that is my preference. I want it to look like it would have come out the shop where it was built. I don't want an "antique".

Which ever way you "like it/want it", you only have to please yourself - and unless you are trying to hold it out as a "genuine" antique, then there is no harm done.

DaveP (UK)

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Re: Creativity and Historical Correctness in gun building
« Reply #116 on: April 16, 2014, 11:40:42 PM »
Gus: Had the same problem with Grandad's axe  ;D

That may give some insight into how rifles were treated/regarded.
They were most probably looked at like many of us see our vehicles. While some have to have a new one every couple of years many probably keep it running until it's ready for the junk yard, totally beyond repair.

I think it does give me an insight. Thank you. I need to remember that built in obsolescence and micro managing by accountants are modern problems  :)

Offline Kermit

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Re: Creativity and Historical Correctness in gun building
« Reply #117 on: April 17, 2014, 01:27:46 AM »
Getting back to creativity--and boredom. I would venture that most if not all of you who practice the craft of gun making work alone, probably in a shop in or next to your home. How much like that was 18th century American gun making? Did the named makers we think of so readily from colonial and golden age times do every operation on every gun that left their shop, working entirely solo? Did they have apprentices and journeyman craftsmen who worked for them?

I know that was commonly the case with the European guild system. I imagine there were men who labored many hours doing pretty tedious work, even in the new world, and the luxury of working alone and doing all the tasks of building a gun is a less common and more contemporary way of doing things.

What can anyone tell us?
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