I finally made it down to the CW gunshop today to take a look at the dies they are using to make locks these days.
They have dies for just about every part except the cock. I didn't photograph the stuff that is already documented in JHAT.
The two new dies of interest that allow them to forge lock plates with the integral pan WITHOUT welding are shown below. Note the grooves around the lockplate die. These are necessary to stop the metal from flowing out of the die. For both dies, the work must be white hot when initially hammered into the die. This is particularly important for forming the pan. You have to work the metal in the pan back up into the fence area with a fuller. You can finish the work just red hot.
George Suiter noted that he would like to cut a notch in the plate die from the front of the plate to the edge of the die allowing the formation of a sprue with which to hold the plate in the die for finishing. Otherwise, he said the plate jumps around making it hard to work.
George said the documentation of these various dies was found in a Russian text written around 1800 by a British man who went to Russia to modernize their arms making industry. There are only five of these texts known to exist so good luck getting hold of a copy. Apparently, the Birmingham lock making industry utilized many dies, filling templates, and drilling jigs to speed up the production of locks. George referenced
Guns by Greener.
George showed me hardened templates they use for filing the lock plates and sears. He also showed me a jig they use for drilling holes in the locks and bridle. I didn't get photos of these, but the filing template and drilling jig are what you might expect with the lock plate sandwiched in between two other plates that are screwed together.
It takes some time to make all these dies, templates and jigs, but George said they significantly speed up the process of making a lock.
Please excuse the quality of the photos. I didn't take a flash and it was fairly dark in the shop. I had to shoot the photos at a high ISO so they are very grainy. Perhaps, the next time I go down, maybe come Spring, I can arrange to take all the dies, templates and jigs outside to properly photograph them.