Thanks for the kind words guys, very much appreciated. I have learned a lol, both what to and not to do. One thing I’ve found is when shaping the area around and on top of the wrist is not to take that area to its final dimension but to leave a bit more wood so one does not get that “sunken” look that you can see on the stock adjacent to the leaf on the finial of the clam. That, and laying out your. Design very accurately, especially when you have a bunch of parallel lines coming together as there are in the clamshell close to the tang, plus don’t drive your gouge in too deep when
Thanks for looking and commenting.
Cheers Richard