I'd be interested in hearing the sources for the thought that Germainic apprentices would spend considerable time in France. I would question this kind of cooperation given the nature of conflict and power struggles so common in Europe during this general time period.
Another point... Generally I don't believe gunsmiths who came to this country were of the highly trained variety that we often think of when viewing the fantastic Europen pieces today. If I'm not mistaken, Albrect for example in his memoirs talks of the considerable time he spent traveling a a military stocker or repairman of military arms. An established gunsmith with skill and ability wouldn't likely have the desire to leave Europe as compared to those of a lower standing.
A final point. It doesn't take much of a symmetrical group of leaves before one can interpret it as a fleur de lis. It may be nothing of the sort.
The new KRA book "Moravian Gunmaking of the American Revolution" states that they generally journeyed (this was documented) for 3 years but sometimes more traveling widely in Germany and other countries. It was why they were called journeymen.
Pg 15. 1730's "Valentine Marr, born in Zella...apprenticed in his native Germany...spent 2 years (1727-1729) working as a journeyman in Sweden...After a brief return to Zella, he departed permanently for Copenhagen...
On page 17 is detailed the travels of a saddler journeyman who traveled to and worked in 10 countries over 7 years.
And describing Daniel Kliest a locksmith working in 10 cities including Strassburg, Bern and Prag, "and many other places" while on journey.
On pg 18
"If we think that these men who learned their trade in Europe...could only build in one "school", or carve one pattern, we are not giving them nearly enough credit..."
The fluer de lis elements in the drawings I posted seem fairly obvious.
The form is an artistic interpretation of a Lily no matter where its used.
I would suggest that people thinking that the Fluer De Lis is solely French do more research.
I would suggest looking into the Coat of Arms of Wiesbaden, Germany. Now this may be a very recent coat of arms but its Fleur De Lis just the same. I have a hard time thinking the city would adopt symbolism that was soley French.
More research will show that the Fluer De Lis (Lily) has been used on coats of arms and flags in various places in Europe for centuries.
So its just as likely that it was a symbol known and used in Germany and used by a German who, for what ever reason, wanted a lily on the firearm.
It would appear that assuming a "Lily" represented on an American rifle "proves" French influence is at best a "possibility".
I also dispute the inference that the immigrant Gunsmiths were too !@*%&@ dumb to create unique artwork. Be it true or not in one case or another there is no proof either way... So unless someone can find a citation in some Moravian record that Albrecht was "unskilled" or and "indifferent workman" we have to assume he was competent.
People had to meet a certain level of skill to be made a Journeyman.
The prospective Apprentice had to be the son of a craftsman or professional. There was a trial period of as much as 4 weeks in which the prospective Apprentice had to prove he had the necessary talent. Then he was fully accepted for training. Masters could not have more than 2 apprentices at a time.
Maybe Albrecht LIKED the Army. Does this not occur to anyone?
Maybe some of the people who came over here did not care for the Guild system in Europe. It was rather confining and could limit a persons advancement if I understand correctly.
All things considered I would be very surprised that was NO French influence.
But trying to pin down the exact person and date is impossible.
Some French styled gun may have been brought in for a restock and the owner stipulated a close copy of the original stock and the gunstocker liked the result.
So long as we are making things up this is as good a possibility as any.
Dan